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The Synth-Pop Duo's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds in 1977

Dave Ball, one half of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' Tainted Love in 1984, and their first record their initial full-length release is regarded as a seminal work of synth-pop.

He later formed the pioneering electronic act The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his sleep at his home in London on October 22, just weeks after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that performance, Ball performed in a mobility chair, as he had for the previous couple of years, after a spate of health issues.

"I managed to injure myself significantly," he commented in 2023. "I broke lower vertebrae in my back and cracked about multiple ribs and fractured my wrist."

Following catching pneumonia and developing blood poisoning, he was placed in an induced coma and stayed in the hospital for seven months.

However, he had been in "a great place mentally" over the summer, as he worked on a fresh record with Almond, called Danceteria, which is scheduled for release in the coming year.

"He was concentrated and so happy with the new album that we actually completed only a short time ago," said the singer in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I find comfort from the knowledge that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Tributes

Almond described his bandmate as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense part of my life and for the songs you gave me. I couldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a duo with someone is different from joining a group, the connection is incredibly close," he added.
"That was the case with us. We experienced so many extraordinary, incredible, memorable moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Born into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was a year and a half old.

He grew up in the seaside town with his new family Donald and Brenda Ball, who changed his first name from Paul to his adopted name, together with his younger sister Susan, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both learning art. Fuelled by a mutual passion of Northern Soul, they formed Soft Cell the very year, and quickly recorded an extended play.

Creative Collaboration

The duo were an distinctive pairing: Ball was the quiet musician, bent over his keyboard, while Almond was a charismatic performer, all sparkle and eye-liner; but they attained a unique musical alchemy.

Ball had cultivated a fascination with synthesizers after viewing the band Kraftwerk appear on BBC program a popular series, and started to marry moody electronic sounds to the soaring melodies Almond was writing.

Their signature song became the UK's second most popular single of the early 80s, selling 21 million units globally. Alongside successful tracks by Gary Numan, contemporary bands and Ultravox, it helped cleared the path for the synth-pop sound of the 80s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were working on new material right up until Ball's death

Professional Journey

Fame had its benefits. "I enjoyed being able to purchase my first home, having financial security and exploring, which might seem like a Miss World," Ball recently told with a music magazine.

But it also presented challenges. "Sudden riches allowed we could afford substances to relieve the boredom" of press appearances and television shows, Ball said.

"I realize that's a cliché, but it's a cliché for a good reason, because it applies for so many bands."

During the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to produce a second memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before dissolving the group to focus on other projects.

Almond proceeded to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the charting record Cruelty Without Beauty.

Following a further break, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on 30 September, 2018.

Yet, they stayed together, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the duo's upcoming release as a tribute to the NYC nightlife they frequented while recording their initial records.

He added that his period in hospital had influenced the band's sound.

"I had strange recollections when I was coming and going of the hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a electronic representation of the noises in my head from those days.
"Simultaneously, it's about the experiences me and Marc got up to in the 1980s."

The final mixes were finished only days before Ball died. It is due for release in Spring 2026.

LH
By

Lisa Hall

A certified crystal therapist with over a decade of experience in holistic healing and gemstone energy work.

Crystal Resources UK

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